MARY STUART
CREDITS:
By Friedrich Schiller, in a new version by Peter Oswald
Director: Amanda Noar
Set & Costume Designer: Dec Santiago
Lighting Designer: Ben Cassels
Sound Designer: Alex Baute-Sands
Intimacy Director: Yasmine Irian-Angeni
Fight Director: Jonathan Leverett
Associate Director: Cherise Silvestri
Assistant Sound Designer: Emily Lynch
Stage Manager: Hazel Matteson
Deputy Stage Manager: Charlotte Hamlin
Assistant Stage Manager: Abby Davidson & Kel Acreman
Costume Supervisor: Bex Kemp
Assistant Costume Supervisor: Spencer Nwadike-Spencer
Costume Assistant: Maria Gomez-Acosta
Head of Lighting: Adam Lloyd
Deputy Head of Lighting & Programmer: Aimie Partridge
Production Sound Engineer: Evie Robinson
Fight & Intimacy Captain: Archie Papworth
Movement & Intimacy Captain: Taylor Ramejkis
ROLE: Associate Sound Designer
From the Royal Central School of Speech and Drama "Fate, power, and politics collide in Friedrich Schiller’s gripping Mary Stuart, a battle of will and wit between Mary, Queen of Scots, and Elizabeth I. This bold new production brings 16th-century intrigue into sharp contemporary focus, exploring the cost of power, the danger of ideology, and the human heart beneath the crown. Taut, thrilling, and emotionally charged, Mary Stuart is a royal showdown you won’t forget."
FALL 2025
Courtyard Theatre, Royal Central School of Speech and Drama
Production Photos by Cam Harle





SOUND DESIGN/COMPOSITION
Designed by Emily Lynch
Sample from "O Death, rock me asleep"; Performed by Catherine King, Rose Consort of Viols; Text attributed to Anne Boleyn
Designed by Emily Lynch
Includes composition by Alex Baute-Sands
Designed by Emily Lynch
Sample from "O Death, rock me asleep"; Performed by Catherine King, Rose Consort of Viols; Text attributed to Anne Boleyn
Designed by Emily Lynch
Production Photo by Cam Harle