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MARY STUART

CREDITS:

By Friedrich Schiller, in a new version by Peter Oswald​

Director: Amanda Noar​

Set & Costume Designer: Dec Santiago​

Lighting Designer: Ben Cassels​

Sound Designer: Alex Baute-Sands​

Intimacy Director: Yasmine Irian-Angeni​

Fight Director: Jonathan Leverett​

Associate Director: Cherise Silvestri​

Assistant Sound Designer: Emily Lynch​

Stage Manager: Hazel Matteson​

Deputy Stage Manager: Charlotte Hamlin​

Assistant Stage Manager: Abby Davidson & Kel Acreman​

Costume Supervisor: Bex Kemp​

Assistant Costume Supervisor: Spencer Nwadike-Spencer​

Costume Assistant: Maria Gomez-Acosta​

Head of Lighting: Adam Lloyd​

Deputy Head of Lighting & Programmer: Aimie Partridge​

Production Sound Engineer: Evie Robinson​

Fight & Intimacy Captain: Archie Papworth​

Movement & Intimacy Captain: Taylor Ramejkis​

ROLE: Associate Sound Designer

From the Royal Central School of Speech and Drama "Fate, power, and politics collide in Friedrich Schiller’s gripping Mary Stuart, a battle of will and wit between Mary, Queen of Scots, and Elizabeth I. This bold new production brings 16th-century intrigue into sharp contemporary focus, exploring the cost of power, the danger of ideology, and the human heart beneath the crown. Taut, thrilling, and emotionally charged, Mary Stuart is a royal showdown you won’t forget."

FALL 2025

Courtyard Theatre, Royal Central School of Speech and Drama​

Production Photos by Cam Harle

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SOUND DESIGN/COMPOSITION
Mary Stuart Top of Show
00:00 / 00:55

Designed by Emily Lynch

Sample from "O Death, rock me asleep"; Performed by Catherine King, Rose Consort of Viols; Text attributed to Anne Boleyn

Mary Stuart Transition into Act 4
00:00 / 00:33

Designed by Emily Lynch

Includes composition by Alex Baute-Sands

Mary Stuart Into Interval
00:00 / 00:34

Designed by Emily Lynch

Sample from "O Death, rock me asleep"; Performed by Catherine King, Rose Consort of Viols; Text attributed to Anne Boleyn

Mary Stuart End of Show
00:00 / 00:39

Designed by Emily Lynch

Production Photo by Cam Harle

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